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Setting the Course |
Tuesday, June 18, 2013
On Barcelona contributors as of June 18, 2013
January 2012
Aaron Belz, Geoffrey Gatza, Larissa Shmailo, Gregory Vincent de St. Tomasino, Charles Bane Jr., Stephen Russell, Bill Pearlman, Michael Rothenberg, Helen Duberstein, David Weinstock, Rodney Nelson, Alexandra Schor, Glen Phillips, Jaime Manrique, Dean Faulwell, Hilton Obenzinger, Burt Kimmelman, Anthony Robinson, Tony Mancus, Donna Fleischer, Lynda Schor, Hal Sirowitz, bobbi lurie, Halvard Johnson, Andrew Burke, Ken Wolman, Philip Hartigan, Paul Murphy, Steve Tills, Bill Dunlap, John M. Bennett, Robert Hughes via Halvard Johnson, Richard Livermore, Nancy Scott, Ramón Gómez de la Serna via Richard Kostelanetz, Harriet Zinnes, rob mclennan, Janet Mason, Steve Dalachinsky, Colin Morton, Lakey Comess, Patrick McManus, Lawrence Upton, Nathalie F. Anderson, Gunnar Ekelöf via Edward Field, Mark Weiss, Sheila F. Murphy, James Cervantes, Jill Jones, Douglas Barbour, Calvin Pennix, Bob Marcacci, Bonnie MacAllister, Anny Ballardini, Johanna Fischer, Mark Melnicove, David Rakowski, William Bain, Jerry McGuire, Hugh Behm-Steinberg, Hugh and Jane Stilley, Roger Mitchell, Larry Goodell, Amy King, Jan Clausen, Jasper Brinton, Ric Carfagna, Mark Prudowsky
February 2012
Rose Mary Boehm, Eileen Tabios, Janet Spangler, Laura Young, Lila Zeiger, Jack Dowling, William Bain, John M. Bennett, Douglas Barbour, Katherine Soniat, Sheila F. Murphy, James Cervantes, Jeff Harrison, Paul Charles Howell, Lars Palm, Mary Kasimor, George Bowering, Alvin Greenberg, Jose Padua, Alan Sondheim
March 2012
George Bowering, Laura Young, Dick Allen, William Bain, Steve Dalachinsky, Rose Mary Boehm, John M. Bennett, Mark DuCharme, Dominic Fox, Elizabeth Switaj, Thad Rutkowski, Felino A. Soriano, Michael Andre
April 2012
Jukka-Pekka Kervinen, Robin Mookerjee, John M. Bennett, Laura Young, Lanny Quarles, Mark Prudowsky, Chris Mansell, Dean Faulwell, Bjørn Magnhildøen, Jacques Prèvert via Harriet Zinnes, Alan Sondheim, Michael Andre, Harriet Zinnes, Dominic Fox, Max Richards, Cheryl Pallant, Lakey Comess, Gloria Avner, Andrew J. Jones, Steve Tills, David Gitin, Vivekanand Jha, Susan Lewis, Joel Chace, Patrick McManus
May 2012
Jasper Brinton, Laura Young, John M. Bennett, Jane Joritz-Nakagawa, William Bain, Gene Tanta, Cortney Bledsoe, Márton Koppány, Alex M. Pruteanu, Andrew Burke, Paul Charles Howell, bobbi lurie, Barry Spacks, Mark Prudowsky, Vernon Frazer, Michael Farrell, Barry Seiler, Halvard Johnson, Matthew Hill, Tucker Stilley, Caleb Puckett, Edgar Gabriel Silex, Rudolfo Carrillo, Audrey Friedman, Sheila E. Murphy, Lars Palm, Diana Magallón
June 2012
Harriet Green, Joanna Howard, John M. Bennett, Lena Bartula, Skip Fox, Jukka-Pekka Kervinen, Harriet Zinnes, Gray Jacobik, Hal Sirowitz, Sheila E. Murphy, Douglas Barbour, Edward Field, Lawrence Upton, Mark Weiss, Laura Young, Michael Kelleher, Mark Melnicove, Will Hochman, Jim Cory, William Allegrezza, Rafi Lev, Peter Ciccariello, Mark Young, Donna Kuhn, bobbi lurie, Rodney Nelson, Steve Dalachinsky, Mark DuCharme, Calvin Pennix, Murat Nemet-Nejat, Erik H. Rzepka, Michael Gottlieb, Barry Alpert, Jasper Brinton, Niels Hav, Adam Fieled, James Cervantes, Frederick Pollack, Donna Fleischer, Steve Tills, Paul Siegell, Scott Keeney, William Bain, Jill Jones, Diana Magallón, Jessy Randall
July 2012
Scott Keeney, Larry Goodell, John M. Bennett, Stephen Caratzas, Barry Seiler, Rudolfo Carrillo, Caleb Puckett, Felino Soriano, Peter Ciccariello, Alan Britt, Russ Golata, Laura Young, Jane Joritz-Nakagawa, Dean Faulwell, Michael Gottlieb, Lakey Comess, Marc Vincenz, Glen Phillips, Steve Dalachinsky, Karri Kokko
August 2012
Ric Carfagna, Barry Spacks, Wendy Battin, David Graham, Jukka-Pekka Kervinen, Allen Bramhall, Orchid Tierney, Halvard Johnson, Ruth Damon, Jeff Harrison, Erik H. Rzepka, Roger Mitchell, Russ Golata, David Gitin, Sarah Edwards, John M. Bennett, Donna Kuhn, H. Palmer Hall, Márton Koppány, Gloria Avner, Basil King, Daniel Zimmerman, David Rakowski, Chris Jones, Steve Dalachinsky, Marge Merrill, Scott Keeney, Stephen Ellis, Lars Palm, Bill Wootton, mIEKAL aND, Andrew Burke, Gwyn McVay, David Howard, Rudolfo Carrillo, Mark Thomas, R. Clark Morrow, Al Maginnes, Peter Ganick
September 2012
John M. Bennett, Steve Tills, Jukka-Pekka Kervinen, Alan Sondheim, Peter Ganick, Rudolfo Carrillo, David Hopes, James Cervantes, Márton Koppány, Lynda Schor, Stephen Russell, Diana Magallón, Mark Prudowsky, John Oughton, Russ Golata, Bjørn Magnhildøen, Jasper Brinton, Luc Fierens, Halvard Johnson, Nico Vassilakis, David Weinstock, Colin Morton, Jaap Stijl, Isma'il ibn Ali al-Sadiq, Talan Memmott, Vernon Frazer, Jim Andrews, Barbara Moore Vincent, Volodymyr Bilyk, Christopher Barnes, Sheila Black, Kristin Palombit
October 2012
Nico Vassilakis, Katherine Soniat, Russ Golata, Jim Andrews, Jukka-Pekka Kervinen, Dean Faulwell, Lakey Comess, Luc Fierens, Stephen Ellis, Márton Koppány, Christopher C. Jones, Volodymyr Bilyk, Ziba Karbassi, Jim Leftwich & John M. Bennett, Jim Bennett, rob mclennan, Laura Young, Andrew Burke, Felino A. Soriano, Jim Wittenberg
November 2012
Kit Robinson, Diana Magallón, Donna Kuhn, Michael Fleming, Mark Prudowsky, Márton Koppány, Rae Desmond Jones, John M. Bennett, Lars Palm, Diana Magallón, David Harrison Horton, Volodymyr Bilyk, Teresa Peipens, John C. Goodman, Mary Kasimor, Peter Gannick, John M. Bennett, Glenn Bach, Laura Young
December 2012
Rudolfo Carillo, Bob BrueckL, Laura Young, Jan Clausen, Felino Soriano, Joel Chace, Jasper Brinton, Vernon Frazer, Luc Fierens, Ruth Lepson, Lynda Schor, Philip Meersman, John Oughton, Alicia Askenase, Hugh Seidman, Catherine Daly, Victoria Marinelli, Anthony Robinson, Lawrence Upton, Russ Golata, Paul Howell, Rudolfo Carrillo
January 2013
John Oughton, Ken Wolman, Lakey Comess, Marge Merrill, Martha Deed, Nancy Scott, Volodymyr Bilyk, David Howard, Eileen Tabios, Larissa Shmailo, John M. Bennett, Luc Fierens, Bob BrueckL, Marthe Reed, Sheila E. Murphy, Stephen Ellis, Ann Neuser Lederer, Vernon Frazer, Richard Kostelanetz, Caleb Puckett, rob mclennan, Russ Golata, Jukka-Pekka Kervinen, William Bain, Michael Andre, Katherine Soniat, Satu Kaikkonen, Lars Palm, Felino A. Soriano, Murray Jennings, James Cervantes
February 2013
Alla Vilnyanskaya, Laura Young, Nico Vassilakis, Wendy Battin, John M. Bennett, Jasper Brinton, Tad Richards, Larry Goodell, Charles Taylor, Alan Sondheim, Diana Magallón, G. Robert Jeaurond, Volodymyr Bilyk, B.E. Kahn, William Bain, Joseph Somoza
March 2013
Diana Magallón, Allen Bramhall, Diane Jackman, rob mclennan, Bob Marcacci, Halvard Johnson, Rudolfo Carrillo, Lakey Comess, David Howard, Federico Federici, John M. Bennett, Niels Hav, Alicia Salinas
April 2013
John Oliver Simon, Volodymyr Bilyk, Taylor Reid, Mark Prudowsky, Elizabeth Terrazas, Murray Jennings, Stephen Ellis, John M. Bennett, Felino A. Soriano, Sheila E. Murphy, James Finnegan
May 2013
Lawrence Upton, Volodymyr Bilyk, John M. Bennett, Peter Ganick, James Bell, Bob BrueckL, Rudolfo Carrillo, Francesco Aprile, Allen Bramhall, Francesco Levato, Laura Young, Adam Fieled, Pansy Maurer-Alvarez
June 2013
Laura Young, Felino A. Soriano, Aurora Margrethe,
Sunday, June 16, 2013
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Felino A. Soriano
from Of isolated limning
appertaining
time-veneration
valued accolade
alternate finding this thesis of unspoken
naturalized envelop
surge of serenade
embracing shapes of contoured revelations
loud though secure in the inclusionary freedom this pageantry
instills
unordinary seams
incorporating self in the vision of whole dimensions
***
invention or the subtlety of illusion
rest suspends corporeal fundamentals
desire or
the purposes of endeavor rewind
insinuates culture or the ignition to connect (grouped)
endeavor
or indecent (unknown)
systems of
naturalized connectivity to the self’s purposeful implantation
truth’s misrepresented fallacy,
***
comparison
the violin of skin alternates phrases
amid serenade of angles’
origami privileges
streaks of kinetic purples find pluralized births
atop
language’s
warmth and water submerged faculty of illusion’s achromatic need
***
in view or dedicatory limpidity
tableaus incorporate distance’s calligraphy
calibrating the eye into role beyond
visible veneration
a
systemic acclimation slim or whole
regarding tonal timekeeping expositions, the
fury
lending eye
or the partial of fractioned centimeters’
center
seer
sidenote secrecy
language of dedication
***
considered
intuitive responses
resulting paradigm
persuading frequent
penetrative faculties—
harmless or the fiction of
determination
altered calling onto
beautified
tension away
or alleviated meander this thought
appendage portends
***
***
Friday, May 31, 2013
Pansy Maurer-Alvarez
Burnt-orange Sarabande
the desert daytime stingingly scoops up everything into its center
indifferent fluorescent lady of eyes and paws
every part of her body spills offspring
her platitudes lie in rusted rings around
it is because I think it is this way
your moon yours
that was always improbable
along the arc of the night’s tight arm
it broadens me flat against this baffling climate
sometimes at night I sense illuminated white marble
this is belated the ownership of a debt
O sorrowful Spain
through streets to rooms, the players undress their “Nights in the gardens of ... ”
night lights on tree tops reach towards the stellar women whose fault it is to chase
they leap past and brush the husband
they capture and penetrate the sweet hot lull of my paradox
somewhere a thrashing rainfall becomes a superb blue
but your moon is gaining on my night
***
Painted Crown
Lady Silver, shine
but contain no more rings than days or tears to harm a disappointed reason
The approximate sticky overplay can defer a daughter
from sounding deeply absorbed A stranger may arrive
and escalating chances clearly pronounce a beauteous nerve
Flames of irony are a fleeting ply
they recede in the antechamber of the amassed circumstances of debt
This perception is humble and stained
but veiled in brassy cult shadows;
it is a lament that can bend its ruby red permission to a cruel unalterable kiss
When the mottled world bites the neck of the graceful maiden
(such loving invincible mistakes, anything like waxy flesh)
the message of sexuality goes completely mad with virility
Sweet mating calls quiver perfectly in the bright blue room
The singing is interrupted Erroneous and enormous immunity
bedecks the scenario with its blazing bolt
The tongue stages itself in the blurred woods but is strengthened
by a blurting focus: tomorrow someone
else will tempestuously stitch another epaulette
***
***
Adam Fieled
Peanut Butter and Rabies
The aged woman with glasses, doing charity
work, wants some charity herself. The nights
at this place have been long— the kids get
disgruntled, people aren’t bringing in as much
food as they used to. If it’s another peanut
butter and jelly night, she has to bear the brunt.
All the kids see is a half-empty plate. Her
husband won’t come anymore— the atmosphere
is too strained. The kids, she thinks in spite of
herself, are like a bunch of dogs with rabies.
And, as she can’t tell, they think the same of her.
***
***
The aged woman with glasses, doing charity
work, wants some charity herself. The nights
at this place have been long— the kids get
disgruntled, people aren’t bringing in as much
food as they used to. If it’s another peanut
butter and jelly night, she has to bear the brunt.
All the kids see is a half-empty plate. Her
husband won’t come anymore— the atmosphere
is too strained. The kids, she thinks in spite of
herself, are like a bunch of dogs with rabies.
And, as she can’t tell, they think the same of her.
***
***
Saturday, May 18, 2013
Francesco Levato
if caloric, a modification of light
The names of such things as affect us, which please, and displease,
the common discourses of inconstant signification,
its species and respective capacities; of the structure required;
of the number and nature of constituent parts;
this crevice a small room, whitewashed and clean
but scarce that principle of morality to be named,
of virtue to be thought on, not somewhere or other
slighted and condemned, between general fashion
and rules of living quite opposite to others.
[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b6
***
the gravity of the water
At first I had neglected them,
but now that I was able to decipher the characters,
death, wounds, imprisonment,
the promise of not resisting force,
the action as one continuous whole,
can it be imagined, that they perceive the impressions
from things without, and be at the same time ignorant
of those which nature stamped within?
[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b7
***
sulphuric ether, small narrow glass
Let us follow the natural order and begin with primary facts.
The other is compounded; as when from the sight of a man at one time,
and of a horse at another, we conceive in our mind a centaure,
qualify metaphor by adding on to it that which it supplants.
But the use of words in registering our thoughts
is in nothing so evident than reward and punishment;
in enjoyment embittered by memory of the future,
anticipation of the past.
[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b9
***
***
Tuesday, May 14, 2013
Sunday, May 12, 2013
Allen Bramhall
Little is Known of Mongolia
A piano remained when everybody died. The piano was named Karl as a spoof on frequency. Its tone provoked a resonance, and everyone talked with verbs, nouns and the like. The nation's imagination threw a bolt of what is your favourite flavour into the air of chance. We decided we were coloured transistors from the planet Diagram. North is a point to discuss, as is South. The piano we remember was a spot in a sentence. The sentence meant to provide an action, and colour it with adjectives. No one expected the piano to remain aloof: It was friday, the living was fine. While the program constitutes a nation, we stop mid sentence. There could be a change, like spirit in a desk.
We're told so many things. The spectacle requires a mask.
***
***
Rudolfo Carrillo
Fourteen Memetic Signals Used to Provoke Uncertainty in the Reader
American flags made from hidden Yankee tendencies.
Shaved pudenda isolated through the use of Photoshop.
A new television set that is colored to resemble night.
Innumerable displays suggesting coition or its possibility.
Dactyls on display at the petroleum depot.
Clinical observations made prior to the execution of bodily functions.
Self-referential asides that invite mockery.
Imagining oneself as a monkey living in an Antarctic laboratory.
Accumulating chemicals as means of displaying wealth and patience.
Having fun with the ruined atmosphere.
Rendering hands as twigs and branches.
Changing the settings to thwart capitalist interlopers.
Sensing the closeness of dissolution like a snail senses paint.
The statutory procedure that terminates at a local trailer park.
***
***
Tuesday, May 7, 2013
Bob BrueckL
Stout Snout
Toothy, swishy: un-un moniker the stupid gamut,
the cloned ultrasuede, the rhomboid-stolid Wake-Robin
(trillium erectum) -- recurved, hypostatic, prickled,
declinated
Tin ingots, O butt cloner, peristalsis slashy --
un-name my meme: my meme is me, O dander:
What dew I knew!
Creamy, liver-shaped monstrosities, serrated, protruding,
slishy-sloshy, gloopy-gloppy purple maroon abutting
the back of the indigo moon
Dusky, unabetted, stripped scrape, deface
the jarring pompadour, O my
cauliflower ear
Aubergine midnight on the periphery: scrap
the immaculate, ultramarine, mauve-striped violets,
the delirious faces of the canary-yellow pansies
softly swaying in the sapphire shadows
straddling the ovoid awl -- No!
***
***
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