Sunday, September 29, 2013

Lakey Comess


of fuel


of fuel, refueling, running out,
questions in orbiting, Rimbaud
of dust,
debris in unfinished caress,
refueling,
penetrating the shieling.  


Yesterday's glass rings,
coming closer,
gaining loss,
losing light,
time, years.  


Laboring docken-
leafed, stricken,
over the couched
terms and call,
land's vacuous end,
dreamily chanted
fanciful winged coquette,
stubborn, barred, lucky Lucifer,
flickering.  


Inventing a whole waning tongued other calendar.  
We are top sailing instead, upside of the angels,


opaque dreaming,
acknowledgements intended,
speaking through to another risen,
much worse condition,
(not in your language)
tucked into furthering this body,
fain resurrected button and zip,
whole inexact uncertainty,
danced for you.  


*


In arms. In arms.


*
Letting it travel on wind.  
Pledged copulation,  
casual fistful of coquetry
and you.
And you and you.


This fair body,
just breeze.
. riparian riff raff
. medium coarse,
. broken, speaking
. cornered, derailed  
The holding condition,
holding, conditioning the heart.


The heartening subscription,
swaying  domain, dead figuring cant.


. dumb run
. dangerous
. lipstick, inscribed  
. Biding time.  
*


We are becoming obsidian,
memorial, free floating.


*
. years blinding
. perpetual motion
. in light  
*
Sage willing flesh, pen,
later and born.


***


Cross-stitched




Over-structured authorities, skilled writers, caught up
in cross fire, cross-stitched to the spot.  


High on participation, rally round deciduous growth,
pronounce it delicious, amazing challenge,
close knit modules of gross error in judgment.  


All those parallels loosen the ball bearings.  


Flicker combinations of events in small cages.  
Back up your job description,
flog yourself into tasks and alternative attitudes.  


Same old middle finger throws ancient gesture of scorn your way.


Novelty lost interest in mass innovation.  
Let's just say the cultural quarter was overrun.  


Certain houses have known generations of
the same families—ties, continuity, old bonds.  


One died on an anniversary;
death gravitates to particular.


One died in solitude, silence, unsociable fortitude;
death castigates survivor.  


Grand National was over in a flash;
couldn't even tell you who was running.


***


ODD TOURS DE GOBELETS


It seems a pity to have wasted perfectly good newsprint on well over three columns worth of story on the ass-end of a project, intricacy lubricating the folio, treading slippery slope.


Wedding presents?  From the bride? (clue found in a drawer.)


Had you really believed assignation of numbers to be the solution to smiling into the abyss,  you wouldn't have asked for names and addresses quite so early in the affiliation.  


Oh, well done!  


Panegyric discourses:
You are clusters of distribution,
tin-glazed earthenware,
patterned metallic colours,
scratches and blisters,
absolute kill.  
Mile long carpet,
clipped wings.  


***

Too quiet.  Pale.  


Aspiration exhaled, lung-damaged.  
Hope is fulcrum to permanence, no matter what you imagine.  


You're in a really good place, don't get me wrong,
if you don't want to go there, looking too far forward,
taking more than one day at a time.  There's no way in.  


Think twice before speaking.  Now is the time to be cautious,
hand-clapping, counting rhymes.  Shake up the neighbourhood.  


Gunshots are heard.  Young men give up their lives, slept in dust,
for dubious gang leaders.  Next exhibition follows (too closely).


Vaguely symbolic glyphs, carved small onto form, basic shapes, shifted.  
Where does eye lead, if not to strangely mutated darkness, free trial, finding a way,
weighed down, rocks around neck.  Time can be better than spent.


I have never seen you so sad.
***

Acts of contrition


pursue shortfall of cool,
directing negotiations, too many effects, ineffective.  


Out of time, strobe-lighted.  Those are the breaks, original.  
Make it two.  Casual is costly, too comfortable, hidden


in well-oiled predictable rules,
senselessly knocking on nonsense, selling it short.   


I'm on the opposite bank now, sharpening branches,
replacing ether with water, swimming through green, cloudy waves.  


You are barely a ripple.



***

Rhythmic bleeps


add a certain I don't know what to the experience.  
Lord knows you have beautiful eyes.  What does clock matter,


daily thoughts replacing real, live experience, unable to move,
stuck in a moment?  Folds on map, impossible to manage.


Someone may assist at some time, though discussion alludes us.  
Find an identity next to a dustbin.  Hand it on or hang on to it.


Forty years ago is yesterday.  Now.  This minute.
Some things don't change.  How did we end up here, not together?
Can you turn back time if you cannot commit to more than today?


Truth is rewarded with a warm hug, time, tide, no one,
everyone's sister, cousin, best friend, double.

***
***

Joel Chace



Pop-Up 20

***
***


John M. Bennett

filthy chowder

meat and sand the
wall’s lap protectant’s
dribbling in the falling hole
yr regurgitant chewed
,what stuns its  ik  ik  ik
the desert ,with rain ,fills
,choppy grey lake ˄˄˄˄˄˄˄
rabb its twitching on the
shores sodden books
tongues for markers and
,like syrup ,I sank into
my pants  ink  ink  ink
where yr facial claw
retracts the udder
clown inhales~.~~..~.~...~~.~
~.~..~.~...~silted air~..~.~...~~..~.~~..~


La circulation souterraine que alimentait
nuit et jour...
- Antonin Artaud


***
***

Stephen Ellis


Up

Lunar lady, the ivory
of your late afternoon
rises and makes
the day sweet, as fresh

milk, that blinds
my sight whenever
I look up. It is

dusk, late

sun, the devil
spread across a hot
tin roof. Yes,

youth will go on
forever, in our burning
nerve endings,

as weeds wrote
their names in
the sweat between us
where we

made love beneath
the tops and in the shade of
tall public grass

and the elongated ghosts of
encroaching shadow. No echo.
No. Nothing so mysterious

as physical sensation
as the light bleaches
the horizon it

combines with sky
as darkness falls,
not to idealized love
complete, but

as the sun is swallowed,
how I feel
ants crawl now along
the backs of my hands.


***


Reconnoiter

Sunlight gleams in
the dust on windowpanes,
running water
downstairs, as time

passes and employees
soundlessly close
the door against more

work. 7:30, no moon
but as mind wanders
over fields and down
alleys to take
its place. The radio

dials itself in for relief
against nostalgia
luminous with nervous
anxiety, driven

but not thinking
of former times
remembered place
by place, but simply

illuminated as always
in contrast to
the chaos of present
darkness enfolding.

I never stole anything
much, but needing
to feel clean, controlled
my sense of possession

in single sentences
on whose dependence
I declared my desperation.

***
***

Monday, September 23, 2013

Joel Chace



Pop-up 19

***
***

Colin Morton


Looking at Inuit Art



1.
Survival’s a miracle
for this chalk pastel on black paper
found rolled in a cardboard tube:
big bear and little man in life-or-death;
a mouth full of teeth, a knife in each hand.
You can see the artist has sewn stitches like these
in bear hide, has eaten the bear
and known the fear of being eaten.

2.
How joyous they look: “Two Fish
Looking for Something to Eat” –
each biting the other’s tail –
the shaman too, dancing in his fish suit.
A joy to be part of all this eating
and being eaten, chasing and fleeing.
More life, they all say, never too much.

3.
“I must eat every day,” says Annie Pootoogook
on video at the Carleton Gallery,
“that’s why I draw pictures.”
What has changed in these Cape Dorset drawings?
“Watching Hunting Shows on TV”
“Woman with Shopping Bags on Snowmobile”
“People Lining Up to Sell Artwork”
– new tools, new ways, the same hunger, fear and joy.
Only the shamans have departed.


***
***