from Quartet Dialogues: Translating Introspection
Of the reason|s we’re aggregated
though spayed in the act of interrogating rhythm
we
reflectional aspects move into the corporeal
functionality, seer see surrender
to improve extemporizations
moments of now’s history
prophesizing
into
windows of whole openness
engrained in the whereabouts of losing light
thus
dusk
examines
then
upon
orating with a neoteric self of explanatory frequencies
exalts
rarity’s roaming
landing of the italicized nearness of winged
vocal-ness the blur whispers an etched version of permanent italics
architects this/these/us
articulation of sound as
concentration on/in
mirage in abstract cultural dilemma
impersonating an oral display versus hush of the intoxicating angles
ridges have formed through
isolated cauterizes and
isometric
***
Of piano
|1|
encouraging momentum
every
rendition of opened
morning diction
spectating vocal implementation this
dual freedom of awake and disarming sleep eloping against crisscrossing
imperatives
reaction my own
daughter involves with smile:
my mirror’s inward
flow
walks and wo(a)nders
toward either sleep’s awaiting memory or
components of running this
|2|
in listening (or in the listening of origami phrasing)
articulated choices expand in
explanatory motive
using predetermined luxuries as reinforced
designs
gaining potential augmenting
providing incessant
motivation as curled enunciation
|3|
continued isolation
reliable annex of sound then/speech
hand-in of-hand then/reliant on gauge’s rudimentary
freelancing understanding
fad ing
as the memory forgets its circus of youthful
serenading (ego then manifests as unreliable context of self’s organic tribute)
performing in the mouth of this moment’s argyle symmetry
|4|
inward the calamity calms
subsequent to the outer-wall construction of
patronizing otherness
involving partitioned
ornamental intuition of space’s
signature abeyance
***
***
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