Monday, November 4, 2013

Márton Koppány

The Aha Moment

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***

Stephen Ellis


Immortal

The moon, full
and orange at
the horizon,

out of an east
that has been
misplaced, rises

from a declivity
of pines, and pales
through the garment

of atmosphere
become thin. Maybe
the sky becomes

a trench in which
blood flows
upwards, as an orange

streetcar on
the rails of some
foreign city,

nothing I could have
expected, but
gradually brightening

with advice. If
you don't know in
what ways you've been

dislocated, don't just
stand there and apologize
on a telephone:

Suffer the evolution
and live with
the imagined slights,

looking to find
in the thing no longer
lost, the full

veins on the backs
of the hands of
another's experience.

***
***

Mark Prudowsky

Vacation Home

Among the four: the engineer, the contractor 
who built the home, a grader and her husband,
the wife listens. That the drainage be rebuilt 
and be rebuilt better all are of one mind. As to cause,
she considers if the reason the four don’t concur 
is that when one points a finger, three point back.
She also considers what the couple next door 
made of the cracks in the foundation stones 
enlarged by ice and what they made of the view
afforded by the west facing wall made up entire of glass
as the house slid off the ridge, turned on its back 
and traveled to its new home.

***

Rodadero Beach

Head on its paws in the heat of end-day,
the bitch I feed is nursing―maybe that
lean-to on the only parcel of sand not fronted by condos.
She feigns
neither disinterest nor sleep; well
mannered, she does not snap but
wraps gently the sausage, the a la plancha
in my hand in her mouth and returns
to her vigil of vendors as they shutter stalls;
tourists and teens half-eaten snacks
and the salt-wind being watched by the moon.
While the cops and drunks irritate one another
she’ll eat a last meal before she returns to her pups
and the dream in which she never waits.

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***

Wednesday, October 2, 2013

Bob BrueckL


                              Doubloons of Unsynced Slabs of Boodle
 
 
 
                              A rictus of cursive faff grubs the splayed-out
                              mooch in the hinder parts of smote ennuye
                              wringing the dregs out of the squiggly
                              maneuvers.
 
 
                              Oaves of slime-flux bleed into the air like
                              swapt night-sweats sump-pumping the
                              homeobox of orrery boom-ba bone-meal:
                              my digit is frigid.
 
 
                              Antipudic moments, flutter-tonguing the
                              naked-muzzled, splat-quenching star-jelly,
                              ablaut the mammilated bladder-fiddle in the
                              homojunction.
 
 
                              Headlong belches wrench the tension in the
                              bippy clacker's stultifying simultaneity of
                              offish swoons degusting the craquelure's
                              zvook chich
 
 
                              Scut fus zatch ort flouts the cony flitch rife
                              with braided burps thumper-tucking the
                              agapic torple-emiction chumbling the
                              teetotaling smot.
 
 
                              Unsorted cracks of plunging necklines
                              outlast the isthmuses of miasmatically
                              argent squeeks flounching the unstuck dimps
                              dawing squeamishly.
 
 
                              Snippets of veneer, blobjects of dict,
                              unevenly engorged, puff up artifices of
                              encapsulated extrapolations overlapping the
                              mock-shade glorg.
 
 
                              Amurcous sordor moldavites the glairous
                              gladioli bespattering the septically imbecilic
                              slutch-coctions of the least deft ooid cooties'
                              ichor
 
 
                              Worped hyena butter wheedles the
                              flagitiously frowsty skanq jumentously
                              puddling the collapsed soufflé of my boubou
                              zelfportret headshot.
 
 
                              Olid eleisoning sook me off while fribbling
                              away the drat tard drut exposing the
                              scansion rind lilting flitchy strips of limpy
                              inoculations
 
 
                              Cowless twunts vacuole the nidorous goiters
                              egesting the cadaverine ludology gulching
                              the curdling screwpile of piecemeal head-
                              scratchers.


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Tuesday, October 1, 2013

Allen Bramhall


My Beth Poem to Whirled

The history of day is a poem itself. It tells the house to enfold and embrace. The topic sits with power 
merge with function clock. To be a person in the light, landing in the sense of land, includes the hand that says it 
hands. This is the thing, if love could attain, all along linking piecemeal. It can, and has all the time. 
All the time, that brusque moment. To embrace the house as love fills it, that's why we have hands. A time intended, 
and tended, with a well, out back: these are running statements, you and me. With arbours and bee hives and 
visual trees: an orchard for the time, and the bees: exactly all the bees in their nature.

A deer is an envy.

“Greensleeves” edifies.

A pond is a planet.


People hold hands, truly. A hand is a vast continent, and a love is still waters. The day is the history of
Monday, or fall, or mostly sunny (until night). Night is the prime nature of when night as a feature, in terms of 
light as the caldron of when light could be by, fulfills a dark feature. When night is a feature true to love, you 
are a word in love. So we inhale land, clouds, other clouds, and the place where we could place, ourselves. 
The day is inside and out of that. Language is the poetry in the language of that. That is what we want.

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Monday, September 30, 2013

Volodymyr Bilyk


























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***

Felino A. Soriano


from Espials



40

            —after an image by Silvia Scheibli

spiraled hole
                         holy
inverted halo functionality:

placed
                                                by wind’s strongest finger
pulsating                      push                 ing

                                         until
night’s
vocal infatuations
blur into open-door
allowances
                          —light or when light’s hanker
connects
with a watching tree’s unobserved sobbing:

this azure
zigzag’s wholly
always                                                              away from
warming hands of the holding unnoticed, their (and our)
knotted hands’ efforts
blind by which culture’s Cyclops
contains
                        origami same-size abilities, their
pluralized efforts to
erect stone
amid stillness of need
                                                            we examine what is realized
watching death by hands, unholy


*


41

meditative acronyms
in the spelling of nuanced                    understanding
                                                 each
                                                                         stare/absorbs-stares
                        wandering, an eye
recalls an institutionalized watching/waiting
spectrum, delving then into formulating tear, its sear, strong, syllabic,
broken
down
             by altering emotional content, the text in isolated versions of spoken embarrassments
not yet
wilted or
by-then written the improvised living becomes cliché
sostenuto
within hands and their lined delineation
yours, theirs, ours, thus
subjective in the carrying of closed-eye
preparedness


*


64

arms and their purpose

                         nisus
              neoteric
pulsating
    promise
                                                             pluralized
                                      personal
reactionary
to the improvised
impersonations of undulating degrees of language and
the nostalgia of learning steps in the context
of movement’s
interrelated embraces
thus
                arms
and their
pluralized purposes           pleasing if                          reciprocation is the dual method of
engage configurations


*


65

watching the saddened crow
             curl away from the ambition of curating calls
 the
sudden
 alteration
altered, though thematic
in the range of rage from passive indication—

silence then
                         in the alphabet of solace’s anemic call to legs’ oscillating fulcrum

—this change
rearranges realms
and their ceiling cannot reuse its dangling embrace
             watching blurs become clarity in the context of internal infatuation


*


66

recessed                                   in the acclimation of tonal time-making
                                    mysteriousness
sorted synonyms
allowing for the function of fiction to suspend conversational
controversy

resaid
pluralized
informational, insinuating rarity of percentage’s hungry greed

this watching of movement engaging
ergonomic ease of the body’s positional clarity
             similar
 to the ongoing remedies
partitions create against openness of uncomfortable delusions suspend among a
range and direct running from self in the momentum of
age’s rearranging perspective


*


67

light’s italicized murmurs
making softened the whispering
gold of shallow homes of hallway
shadows
                          shine-shimmering
against oscillating home of
the ants’ architectural hiding


*


68

aired whisper-rhythm
             tossing
the small of it
                                     leaping
                         land-holding
feet the walking ensues within fragile
movement of oscillating practice, this            turnstile
of seasonal becoming
mores devour truth in the contextual
calmness all mothers interact with
physical admiration
             the
lengthening of elongated-already discoveries an
altruistic laughter of praise
vibratory subsequent echoes
arching near where
running hides into safe or
satisfying ending


*


69

interrogation of silence
             causational pause the
response s
                                     fall toward                 isolated fathoms of
imagination’s
inductive range of
immanent
isolation


*


70

recreated
                         (as in the fallacies of assumptions’ predetermined facsimiles

                                                or
                                                                         within the spectrum shadows’ silver
                                     aged
                         emblems
             embalmed in the rhythm of paused configurations)

moments engage wholeness’
systematic contributions, these
organic
  railways
walked                         wandered                   all tense in the yesterday of memory
overcoming lyrical tears
there
             slide of burning contours
recalling loss
and the gregarious gain of revelation, welcomed



*


39

fingers of woolen fog                                                  its
                                                                        dangling
                                                affirmations, aerial
                        layers
natural cultural identity
                                                             reaches                                   as when
Monday’s saddened entrance
hovers onto burgeon’s

undefined happenstance

veiled though known
and
             positioned
             to uncover ease of clarity’s amalgamated complacency


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