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The Aha Moment *** *** |
Monday, November 4, 2013
Stephen Ellis
Immortal
The moon, full
and orange at
the horizon,
out of an east
that has been
misplaced, rises
from a declivity
of pines, and pales
through the garment
of atmosphere
become thin. Maybe
the sky becomes
a trench in which
blood flows
upwards, as an orange
streetcar on
the rails of some
foreign city,
nothing I could have
expected, but
gradually brightening
with advice. If
you don't know in
what ways you've been
dislocated, don't just
stand there and apologize
on a telephone:
Suffer the evolution
and live with
the imagined slights,
looking to find
in the thing no longer
lost, the full
veins on the backs
of the hands of
another's experience.
***
***
Mark Prudowsky
Vacation Home
Among the four: the engineer, the contractor
who built the home, a grader and her husband,
the wife listens. That the drainage be rebuilt
and be rebuilt better all are of one mind. As to cause,
she considers if the reason the four don’t concur
is that when one points a finger, three point back.
She also considers what the couple next door
made of the cracks in the foundation stones
enlarged by ice and what they made of the view
afforded by the west facing wall made up entire of glass
as the house slid off the ridge, turned on its back
and traveled to its new home.
***
Rodadero Beach
Head on its paws in the heat of end-day,
the bitch I feed is nursing―maybe that
lean-to on the only parcel of sand not fronted by condos.
She feigns
neither disinterest nor sleep; well
mannered, she does not snap but
wraps gently the sausage, the a la plancha
in my hand in her mouth and returns
to her vigil of vendors as they shutter stalls;
tourists and teens half-eaten snacks
and the salt-wind being watched by the moon.
While the cops and drunks irritate one another
she’ll eat a last meal before she returns to her pups
and the dream in which she never waits.
***
***
Friday, October 18, 2013
Wednesday, October 2, 2013
Bob BrueckL
Doubloons of Unsynced Slabs of Boodle
A rictus of cursive faff grubs the splayed-out
mooch in the hinder parts of smote ennuye
wringing the dregs out of the squiggly
Oaves of slime-flux bleed into the air like
swapt night-sweats sump-pumping the
homeobox of orrery boom-ba bone-meal:
my digit is frigid.
Antipudic moments, flutter-tonguing the
naked-muzzled, splat-quenching star-jelly,
ablaut the mammilated bladder-fiddle in the
homojunction.
Headlong belches wrench the tension in the
bippy clacker's stultifying simultaneity of
offish swoons degusting the craquelure's
zvook chich
Scut fus zatch ort flouts the cony flitch rife
with braided burps thumper-tucking the
agapic torple-emiction chumbling the
teetotaling smot.
Unsorted cracks of plunging necklines
outlast the isthmuses of miasmatically
argent squeeks flounching the unstuck dimps
dawing squeamishly.
Snippets of veneer, blobjects of dict,
unevenly engorged, puff up artifices of
encapsulated extrapolations overlapping the
mock-shade glorg.
Amurcous sordor moldavites the glairous
gladioli bespattering the septically imbecilic
slutch-coctions of the least deft ooid cooties'
ichor
Worped hyena butter wheedles the
flagitiously frowsty skanq jumentously
puddling the collapsed soufflé of my boubou
zelfportret headshot.
Olid eleisoning sook me off while fribbling
away the drat tard drut exposing the
scansion rind lilting flitchy strips of limpy
inoculations
Cowless twunts vacuole the nidorous goiters
egesting the cadaverine ludology gulching
the curdling screwpile of piecemeal head-
***
***
Tuesday, October 1, 2013
Allen Bramhall
My Beth Poem to Whirled
The history of day is a poem itself. It tells the house to enfold and embrace. The topic sits with power
merge with function clock. To be a person in the light, landing in the sense of land, includes the hand that says it
hands. This is the thing, if love could attain, all along linking piecemeal. It can, and has all the time.
All the time, that brusque moment. To embrace the house as love fills it, that's why we have hands. A time intended,
and tended, with a well, out back: these are running statements, you and me. With arbours and bee hives and
visual trees: an orchard for the time, and the bees: exactly all the bees in their nature.
A deer is an envy.
“Greensleeves” edifies.
A pond is a planet.
People hold hands, truly. A hand is a vast continent, and a love is still waters. The day is the history of
Monday, or fall, or mostly sunny (until night). Night is the prime nature of when night as a feature, in terms of
light as the caldron of when light could be by, fulfills a dark feature. When night is a feature true to love, you
are a word in love. So we inhale land, clouds, other clouds, and the place where we could place, ourselves.
The day is inside and out of that. Language is the poetry in the language of that. That is what we want.
***
***
Monday, September 30, 2013
Felino A. Soriano
from Espials
40
—after an image by Silvia Scheibli
spiraled hole
holy
inverted halo functionality:
placed
pulsating push ing
night’s
vocal infatuations
blur into open-door
allowances
—light or when light’s hanker
connects
with a watching tree’s unobserved sobbing:
this azure
zigzag’s wholly
always away from
warming hands of the holding unnoticed, their (and our)
knotted hands’ efforts
blind by which culture’s Cyclops
contains
origami same-size abilities, their
pluralized efforts to
erect stone
amid stillness of need
watching death by hands, unholy
*
41
meditative acronyms
in the spelling of nuanced understanding
wandering, an eye
recalls an institutionalized watching/waiting
spectrum, delving then into formulating tear, its sear, strong, syllabic,
broken
down
by altering emotional content, the text in isolated versions of spoken embarrassments
not yet
wilted or
by-then written the improvised living becomes cliché
sostenuto
within hands and their lined delineation
yours, theirs, ours, thus
subjective in the carrying of closed-eye
preparedness
*
64
arms and their purpose
nisus
neoteric
pulsating
promise
reactionary
to the improvised
impersonations of undulating degrees of language and
the nostalgia of learning steps in the context
of movement’s
interrelated embraces
thus
arms
and their
pluralized purposes pleasing if reciprocation is the dual method of
engage configurations
*
65
watching the saddened crow
curl away from the ambition of curating calls
the
sudden
alteration
altered, though thematic
in the range of rage from passive indication—
silence then
in the alphabet of solace’s anemic call to legs’ oscillating fulcrum
—this change
rearranges realms
and their ceiling cannot reuse its dangling embrace
watching blurs become clarity in the context of internal infatuation
*
66
recessed in the acclimation of tonal time-making
sorted synonyms
allowing for the function of fiction to suspend conversational
controversy
resaid
pluralized
informational, insinuating rarity of percentage’s hungry greed
this watching of movement engaging
ergonomic ease of the body’s positional clarity
similar
to the ongoing remedies
partitions create against openness of uncomfortable delusions suspend among a
range and direct running from self in the momentum of
age’s rearranging perspective
*
67
light’s italicized murmurs
making softened the whispering
gold of shallow homes of hallway
shadows
shine-shimmering
against oscillating home of
the ants’ architectural hiding
*
68
aired whisper-rhythm
tossing
the small of it
land-holding
feet the walking ensues within fragile
movement of oscillating practice, this turnstile
of seasonal becoming
mores devour truth in the contextual
calmness all mothers interact with
physical admiration
the
lengthening of elongated-already discoveries an
altruistic laughter of praise
vibratory subsequent echoes
arching near where
running hides into safe or
satisfying ending
*
69
interrogation of silence
causational pause the
response s
imagination’s
inductive range of
immanent
isolation
*
70
recreated
(as in the fallacies of assumptions’ predetermined facsimiles
emblems
embalmed in the rhythm of paused configurations)
moments engage wholeness’
systematic contributions, these
organic
railways
walked wandered all tense in the yesterday of memory
overcoming lyrical tears
there
slide of burning contours
recalling loss
*
39
fingers of woolen fog its
layers
natural cultural identity
Monday’s saddened entrance
hovers onto burgeon’s
undefined happenstance
veiled though known
and
positioned
to uncover ease of clarity’s amalgamated complacency
***
***
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